Donald Trump Faces Backlash After Controversial Easter Image and Pope Feud

Ben Thompson, Culture Editor
4 Min Read
⏱️ 4 min read

In a whirlwind of late-night commentary, hosts Jon Stewart, Stephen Colbert, and Jimmy Kimmel dissected the fallout from Donald Trump’s recent social media blunders and his ongoing spat with Pope Leo XIV. The tension escalated following the Pope’s Easter message advocating for global peace, which Trump dismissed as weak. This provocative exchange has sparked significant backlash from both political commentators and the public.

Pope’s Peaceful Message Sparks Controversy

On Monday night, Jon Stewart returned to *The Daily Show*, where he addressed Trump’s antagonistic response to the Pope’s Easter address. The pontiff delivered a heartfelt message promoting peace and compassion, an appeal Stewart found universally relatable—except, of course, for Trump. The former president took to Truth Social, labelling the Pope a “loser” and suggesting that his sentiments were indicative of weakness.

Stewart quipped, “I am really starting to sour on this president,” pointing out the irony of Trump’s criticisms, given both he and the Catholic Church share a historical penchant for covering up scandals.

The AI Jesus: A Misstep for Trump

The situation took a bizarre turn when Trump shared an AI-generated image depicting himself as Jesus Christ, performing miraculous healings. This digital artwork, which featured a strangely familiar figure resembling Trump himself, drew immediate derision from various quarters, including conservative commentators.

Stewart lampooned the image, stating, “I know I don’t have the vigor and spunk of my MTV days, but I didn’t know we were here already.” He questioned Trump’s credibility, asking, “Do you even care about lying to us anymore?” The fallout from this image was swift, leading to its eventual deletion—an unusual move for Trump, who typically maintains a laissez-faire attitude towards his more outrageous posts.

Colbert and Kimmel Weigh In

Stephen Colbert chimed in on *The Late Show*, highlighting the collapse of peace negotiations between the U.S. and Iran. In a humorous twist, he contrasted the serious nature of international diplomacy with Trump’s priorities, which appeared to centre around attending a UFC fight in Miami. Colbert remarked, “Of course, in this case, UFC stands for ‘U gotta be Fucking Cidding me.’”

He also noted the absurdity of Trump’s social media post about blockading ships in the Strait of Hormuz, asking, “Wait, so we’re blockading Iran’s blockade? That’s actually genius.”

Jimmy Kimmel added his own comedic flair, likening the unfolding drama to a real-life episode of *South Park*. He pointed out the dissonance in Trump’s portrayal of himself as a messiah, joking, “The first problem I see is his hands are normal size. That’s not realistic.” Kimmel concluded that Trump’s attempt at religious imagery backfired, as many in the Christian community were less than pleased with the portrayal.

The Fallout Continues

As the dust settles, the reactions to Trump’s antics reveal a deeper rift between the former president and various factions of the public, particularly those within the Christian community. The deletion of the Jesus image underscores the precarious nature of Trump’s public relations strategy—striking a balance between bravado and backlash has never been more challenging.

Why it Matters

This unfolding saga reflects not just the polarising nature of Donald Trump’s public persona but also highlights the sensitivities surrounding religious imagery and leadership. The interactions between Trump and prominent figures like Pope Leo XIV serve as a reminder of the cultural and moral divides present in contemporary discourse. As late-night hosts continue to lampoon these events, they underscore the absurdity of politics in an age dominated by social media spectacle, further igniting conversations about accountability and integrity in public life.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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