Lucas Lecacheur, a French artist and surfboard designer, is currently making waves in Australia during Melbourne Design Week. Residing at the At the Above gallery on Fitzroy’s Gertrude Street, Lecacheur is showcasing his revolutionary approach to surfboard design, which melds art with functionality in ways that challenge traditional craftsmanship.
A Bold Vision for Surfboards
Lecacheur’s creations defy convention, featuring designs that include surfboards shaped like crab pincers, exaggerated stingrays, and even duck-like webbed contours. One of his most striking pieces, dubbed the Brutalist, stands out for its stark, angular aesthetics. Hailing from Île de Ré, a picturesque French holiday destination, Lecacheur has transformed the beach culture of his youth into a platform for artistic experimentation.
His journey into surfboard design is deeply rooted in his past as a touring rock musician with his underground band, Bad Pelicans. “In rock’n’roll, I was always looking for a new sound, a new energy,” he explained. “I thought, how can I bring that to surfing? What if I made a cowboy boot surfboard? A guillotine surfboard?” This quest for innovation fuels his work as he seeks to blend performance with artistic expression.
Immersed in Creativity
During his six-week residency, Lecacheur is not only creating but also living within the gallery space, which he has transformed into a personal creative hub. Surrounded by vintage furniture and memorabilia, including old televisions showcasing documentaries on his work, he immerses himself in a world of inspiration. His attire, often consisting of eclectic 80s and 90s suits from Parisian vintage stores, reflects his belief that “style is a muscle” and that dressing uniquely can influence creativity and outcomes.

Among the latest additions to his collection is the Château Rouge, a 10-foot surfboard with a cowboy boot nose and a forked tail, alongside another board shaped by the Australian landscape, which he crafted by dragging a blank form through the bush. “You can see pieces of wood inside, grass, lots of dirt,” he described, highlighting the organic connection between his work and the environment.
Breaking New Ground
Lecacheur’s experimental designs extend beyond surfboards to include a series of innovative fins, each with their own distinctive flair, such as the spiky Total Mayhem and the ominously named Hook. His work has attracted a dedicated following in Japan and the United States, where he regularly travels, balancing his life between different cultures and coastal communities.
Despite the excitement his designs generate, Lecacheur admits to the challenges of a nomadic lifestyle, filled with moments of solitude. Yet, his unwavering commitment to pushing the envelope in design stems from a desire for progress. “I believe if we go outside the box and explore, we could find something that could be an advancement, a progression,” he remarked. “But someone has to try, someone has to do it. Otherwise, you’re not evolving.”
The Art of Dreaming
In addition to his surfboards, Lecacheur has embarked on a whimsical project known as the White Fin Project, where he playfully attaches a white surfboard fin to everyday objects, from a grandfather clock to the Eiffel Tower. This lighthearted endeavour invites viewers to reimagine the ordinary as extraordinary, transforming mundane objects into “vehicles of magic,” as he puts it. “I do it to help people dream more and accept their own ideas,” he states, revealing the underlying philosophy that drives his artistic vision.

Melbourne Design Week, which runs until 24 May, provides a vibrant backdrop for Lecacheur’s groundbreaking work, which speaks not only to the world of surfing but also to the broader realms of art and design.
Why it Matters
Lecacheur’s innovative approach to surfboard design challenges the status quo and pushes the boundaries of creativity within the realm of sports and art. His work invites a redefinition of functionality, encouraging both surfers and artists to embrace unconventional ideas. In a world increasingly driven by conformity, Lecacheur’s quest for originality and self-expression serves as a powerful reminder of the importance of imagination in both our personal and professional lives.