From Cherry Juice to Craft Services: A Childhood on Film Sets with Jack Nicholson

Catherine Bell, Features Editor
5 Min Read
⏱️ 4 min read

In a delightful twist of fate, Sassica Francis-Bruce recalls a rather unconventional childhood experience involving none other than Jack Nicholson. At just seven years old, she found herself in the midst of a dramatic scene from *The Witches of Eastwick*, where the Hollywood heavyweight famously unleashed a torrent of cherry juice upon her. This whimsical encounter, set against the backdrop of a film shoot in 1986, not only served as a memorable anecdote but also opened the door to a lifelong passion for the film industry.

A Day to Remember

The summer of 1986 was a particularly thrilling time for Sassica. While most children her age were knee-deep in summer activities or schoolwork, she was immersed in the magic of cinema on the set of *The Witches of Eastwick*, located just outside Boston. As Nicholson, portraying the devil, stormed through the church in an unforgettable scene, he unleashed a chaotic blend of expletives aimed at God and the congregation.

“When he reached me, I froze,” Sassica recounts, describing Nicholson’s wild-eyed portrayal, complete with a mouthful of ‘vomit’ that would soon splatter all over her. The moment was both surreal and exhilarating. “I was told it would involve being thrown up on, but knowing it was just ‘movie’ vomit and that I would earn $100 made it all feel like an adventure.”

The director’s cue of “cut!” brought a swift shift in the atmosphere. Nicholson, ever the performer, turned to Sassica for a playful ‘boop’ on the nose before exiting the scene, leaving behind a flurry of costume department staff to clean up the cherry pulp.

A Glimpse into the Film World

Sassica’s life prior to that day had been rooted in Australia, with her father’s role as a film editor largely a mystery to her until she joined him on set. The experience of being on a film location was unlike anything she had imagined. It was a world filled with waiting and anticipation, but also one brimming with the magic of craft services—a veritable treasure trove of sweet delights.

“Imagine a convenience store stocked with candy bars, pastries, and sodas—all for free!” she reminisces, recalling how the craft service table quickly became her favourite part of the experience. The allure of sugary treats outweighed any impatience she felt as a child awaiting her turn in front of the cameras.

Growing Up on Set

As the years passed, Sassica started to transition from being an awestruck child to an active participant in the film industry. By her teenage years, she had grown more curious about the behind-the-scenes work. Completing her schoolwork early allowed her to spend time in her father’s editing suite, where she developed a love for the meticulousness of film editing.

From the eerie settings of *The Shawshank Redemption* to the expansive water tank of *The Perfect Storm*, each film set was a new adventure. The opportunity to watch orchestras score films and participate in the editing process solidified her passion for cinema, setting the stage for her future career.

Full Circle: A Career in Film

It was no surprise when Sassica’s first job out of university led her back to the film industry. In a full-circle moment, she became a production assistant on *Harry Potter and the Philosopher’s Stone*, a project that brought her back to the excitement of film sets.

And of course, the craft services table remained a familiar haunt.

Why it Matters

Sassica Francis-Bruce’s journey from an unsuspecting child caught in a cherry juice deluge to a dedicated film industry professional illustrates the profound impact of early experiences on career paths. Her story highlights how the enchanting world of cinema can ignite passion and creativity in the young, shaping their futures in unimaginable ways. Sassica’s whimsical encounter with Jack Nicholson serves as a reminder of the serendipitous moments that can steer us toward our true calling, often in the most unexpected ways.

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Catherine Bell is a versatile features editor with expertise in long-form journalism and investigative storytelling. She previously spent eight years at The Sunday Times Magazine, where she commissioned and edited award-winning pieces on social issues and human interest stories. Her own writing has earned recognition from the British Journalism Awards.
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