Hollywood’s ‘Backrooms’: A Dive Into the Liminal Horror Phenomenon

Zoe Martinez, Arts Correspondent
6 Min Read
⏱️ 4 min read

In a cinematic landscape increasingly populated by remakes and sequels, A24’s latest offering, *Backrooms*, emerges as a fresh take on the horror genre, drawing inspiration from an internet phenomenon that has captivated millions. With the film directed by the remarkably young Kane Parsons, this chilling exploration of psychological terror in seemingly endless yellow corridors has already garnered significant attention, amassing over 30 billion views on TikTok alone.

A Disturbing Concept Takes Flight

*Backrooms* taps into a unique blend of nostalgia and dread, rooted in a concept that originated on the 4chan message board in 2019. The idea emerged from a post that invited users to share unsettling images, leading to the creation of a fictional space characterised by monotonous yellow wallpaper, flickering fluorescent lights, and an overwhelming sense of isolation. The post warned that if one were to “noclip out of reality” in the wrong areas, they could find themselves trapped in this nightmarish expanse, where the only company might be something lurking in the shadows.

This eerie concept quickly evolved into a YouTube sensation, with Parsons, then just 16 years old, leading the charge. His CGI-driven mini-series attracted over 200 million views, impressing the likes of Hollywood’s A24, which has a reputation for delivering thought-provoking and unconventional narratives. Now 20, Parsons has stepped into the director’s chair for the film adaptation, aiming to transcend the digital realm and bring the haunting experience to a wider audience.

Distinctive Visuals and Themes

Parsons’ vision for *Backrooms* is ambitious, involving the construction of a sprawling 30,000 square foot set designed to encapsulate the nightmarish essence of the original concept. This physicality, he believes, allows viewers to engage more deeply with the characters and the story. The film stars acclaimed British actor Chiwetel Ejiofor as Clark, a disillusioned furniture salesman grappling with personal demons following the collapse of his marriage.

Distinctive Visuals and Themes

The narrative delves into the complexities of mental health, presenting Clark’s journey alongside his therapist, Mary, portrayed by Renate Reinsve. As the characters navigate the surreal landscape of the Backrooms, they confront their unresolved traumas, making the film not just a visual spectacle but a poignant commentary on the human psyche. Ejiofor’s performance, paired with Reinsve’s, crafts a compelling dynamic that enhances the film’s emotional weight.

The Liminal Space Phenomenon

The allure of *Backrooms* lies not only in its visual horror but also in its exploration of liminal spaces—transitional zones that evoke a sense of unease. Neuroscience and architecture expert Meredith Banasiak notes that hallways and doorways often trigger anxiety, creating what is known as the “doorway effect.” This phenomenon can leave individuals feeling lost and disoriented, mirroring the emotional turmoil of trauma survivors. In this context, the Backrooms become a physical manifestation of memories that are disintegrating, resonating with a generation grappling with existential fears.

The film’s growing popularity reflects a societal shift as audiences increasingly gravitate towards narratives that resonate with their lived experiences—especially those shaped by pandemic isolation and digital disconnection. The convergence of gaming and social media has further amplified interest in the Backrooms, with the concept finding a home on platforms like TikTok and Reddit, where users engage with the theme in various creative ways.

The Intersection of Internet Culture and Film

As Hollywood seeks to connect with younger audiences, *Backrooms* exemplifies a new trend in which filmmakers leverage internet-native content to capture viewers’ imaginations. The film’s trailer has already become one of A24’s most viewed, and early projections suggest it will exceed its modest $10 million budget. This success reflects a growing recognition of the internet’s influence on contemporary storytelling, with studios eager to tap into the pre-established fanbases of creators like Parsons.

The Intersection of Internet Culture and Film

Matthew Frank, an industry analyst, argues that the film represents a significant shift in Hollywood’s approach to storytelling. The fusion of internet culture with traditional filmmaking not only offers fresh narratives but also caters to a generation that seeks authenticity and relatability in their entertainment.

Why it Matters

*Backrooms* is more than just a horror film; it embodies a cultural moment defined by digital connectivity, psychological exploration, and a collective yearning for meaning in a disjointed world. As it draws audiences into its unsettling corridors, the film challenges us to confront our own fears and the fragile nature of reality. In doing so, it illuminates the power of storytelling in navigating the complexities of modern existence, making it a poignant reflection of our times.

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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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