KSI Bids Farewell to Sidemen After 13 Years: A New Chapter Begins

Zoe Martinez, Arts Correspondent
5 Min Read
⏱️ 4 min read

In a heartfelt announcement that sent ripples through the online community, KSI, the renowned social media figure and judge on *Britain’s Got Talent*, has declared his departure from the Sidemen collective after an impressive 13-year journey. The YouTube group, boasting a staggering 23 million subscribers, has been a cornerstone of KSI’s career, featuring a mix of football, comedy, and various challenges since its inception in 2013. His spokesperson confirmed the news to the BBC, quelling speculation from fans who initially suspected it might be a publicity stunt.

A Personal Decision

“This is honestly the hardest video I’ve ever had to make in my life,” KSI, whose real name is Olajide Olatunji, shared in an emotional YouTube video. He expressed that the decision was not made lightly, having deliberated for months on the best course of action. “I’ve gone back and forth on this decision for a very long time,” he revealed, noting that today, May 31, will mark his final appearance in Sidemen videos.

Reflecting on the group’s formation, KSI recounted their humble beginnings, acknowledging that they never anticipated amassing a viewership in the tens of millions. “We built something that none of us ever thought was possible, especially back then when we were making random videos together and playing GTA,” he reminisced, referring to their earlier content.

No Hard Feelings

In an effort to dispel any notions of discord, KSI emphasised, “Nothing bad has happened between me and the group.” He reassured fans that his departure was a personal choice, prompted by the increasing demands of his multifaceted career. “I feel like I’ve been running at full speed, at 100mph,” he confessed, highlighting the necessity for a change as he embarks on new ventures.

No Hard Feelings

KSI took the opportunity to express gratitude towards his fellow Sidemen members—Simon Minter, Josh Bradley, Vikram Barn, Tobi Brown, Ethan Payne, and Harry Lewis—stating they “deserve somebody who can give 100%.” The group’s response was one of sadness but also understanding. They described KSI’s decision as surprising yet expressed their well-wishes for his future ambitions. “We had an amazing time on this journey with him,” they stated, adding that they have exciting plans ahead that they can’t wait to unveil.

Legacy of the Sidemen

The Sidemen collective has achieved remarkable success beyond YouTube, amassing over 140 million subscribers combined. Their most viewed video features a challenge where they split into two teams and embarked on holidays with vastly different budgets—$20,000 versus $200—garnering over 100 million views. Additionally, they have created beloved series such as “Sidemen Tinder,” various eating challenges, and comedy roasts. Their philanthropic efforts include hosting charity football matches that have raised millions and launching a range of businesses, from a fried chicken chain to clothing lines.

Despite initial scepticism from fans regarding KSI’s announcement, many have since taken to social media to share tributes and well-wishes. “Thought it was fake at first, but looks like it’s real. Still don’t want to accept it though,” commented one fan, while another added, “Good luck on the rest of your journey JJ! Takes courage to make this next step.”

Why it Matters

KSI’s exit from Sidemen marks a significant turning point not just for him but for the YouTube landscape as well. As one of the platform’s most recognisable figures, his decision highlights the pressures that content creators face amidst evolving personal and professional landscapes. KSI’s journey from a humble creator to a multi-talented entrepreneur serves as an inspiring example for many, demonstrating the importance of prioritising personal growth and well-being. As the Sidemen continue their legacy, KSI’s next steps will be closely watched, leaving fans eager to see how this new chapter unfolds.

Why it Matters
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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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