The much-anticipated biopic, *Michael*, has launched into the cinematic stratosphere, raking in over $200 million on its opening weekend. As fans flock to theatres, the film has sparked a lively debate about the late pop icon’s legacy, showcasing the stark divide between critical reviews and audience reception.
A Night to Remember in New York
On Wednesday evening, New York’s Regal Union Square buzzed with excitement as fans gathered for a screening of *Michael*. The film has made history as the highest-grossing biopic opening, surpassing even 2023’s *Oppenheimer*. The atmosphere was electric, with several attendees capturing the moment through social media, sharing videos of their euphoric dancing in the aisles. A sequel appears to be on the horizon, further testament to Jackson’s enduring star power.
Yet, just as Jackson’s legacy is multifaceted, so too is the film’s reception. Critics have been largely scathing, with a dismal Rotten Tomatoes score of 37% juxtaposed against a staggering 97% audience approval rating. Peter Bradshaw of The Guardian described the film as “bland, bowdlerised and bad,” highlighting the contentious nature of its portrayal of the King of Pop.
Fans Unite Despite Criticism
Despite the critics, die-hard fans remain undeterred. Joanne, a college student from Brooklyn, attended the film for a second time, donning an outfit inspired by Jackson’s *Off the Wall* album cover. “We have all of his CDs, pictures, books and vinyls,” she shared. Her friend Tahliah crafted a DIY shirt to pay homage to Jackson’s iconic style from the 1995 music video for *They Don’t Care About Us*.
“I thought it was amazing,” Joanne added. “It’s a great introduction for fans new to his music.” Meanwhile, first-time viewer Melanie expressed excitement to finally see the film, drawn in by the buzz surrounding its release.
However, some potential viewers remain hesitant. Belize from the Bronx opted for a different film, expressing concern over the absence of Jackson’s sister Janet, who did not participate in the production. “That really made me skeptical,” she said.
An Immersive Experience
As the lights dimmed in the unique ‘Screen X’ theatre—where the film wraps around the walls for a more immersive experience—the audience was treated to the opening of *Wanna Be Startin’ Somethin’*. The film chronicles Jackson’s rise with the Jackson Five, juxtaposing his youthful exuberance with the darker themes of his adult life.
The film does not shy away from exploring Jackson’s complexities, including his eccentricities and childhood struggles. Humour punctuates the narrative, as audiences laughed at scenes featuring Jackson’s menagerie of animals, including his beloved chimp Bubbles. Yet, the film’s approach to his more serious issues has been met with criticism.
A Delicate Balance
The narrative intentionally halts before delving into the controversies that stained Jackson’s legacy, particularly the child abuse accusations that plagued the later years of his life. This strategic choice allows the filmmakers to paint a largely positive portrait of Jackson, reminiscent of a biopic that omits the darker chapters of its subject. Following substantial reshoots, the filmmakers acknowledged that one of Jackson’s accusers had a legal clause preventing their depiction, raising questions about the film’s integrity.
Dan Reed, director of the controversial documentary *Leaving Neverland*, commented on the film’s release, suggesting that many viewers might overlook Jackson’s troubling history in favour of enjoying the music.
As the credits rolled, audience reactions varied. Andrea from Bensonhurst felt the film was missing critical elements, expressing a desire for a more comprehensive portrayal. “I wanted more, it was long enough to tell the whole story,” she remarked. David, a journalist, shared a more complex view: “It’s a profound demonstration of Michael Jackson’s power and influence that people will come to see a movie almost 20 years after his death. However, people are complicated.”
Why it Matters
The release of *Michael* not only reignites discussions about the pop icon’s legacy but also raises critical questions about how we remember and portray complex figures in popular culture. While the film has triumphed at the box office, the contrasting perspectives on its content reflect a broader societal debate about fame, accountability, and the narratives we choose to embrace. As audiences continue to engage with Jackson’s story, the film’s impact will likely resonate far beyond its immediate success, shaping how future generations perceive the King of Pop.