Rare Collection of Peter Firmin’s Artworks Set to Captivate Collectors

Zoe Martinez, Arts Correspondent
4 Min Read
⏱️ 3 min read

In an exciting development for fans of British children’s television, over 500 original artworks created by the late Peter Firmin are poised to go under the hammer. The auction, scheduled for 31 July and 1 August, will showcase a treasure trove of his creations, including iconic characters from beloved series such as *Bagpuss*, *Basil Brush*, and *The Clangers*. Discovered during a recent clearing of Firmin’s family estate in Kent, this extensive collection provides a unique glimpse into the creative genius behind some of the most cherished childhood memories.

A Hidden Legacy Unveiled

Peter Firmin, who passed away in 2018 at the age of 89, is celebrated for his contributions to children’s television through the production company Smallfilms, which he co-founded with Oliver Postgate. Their collaborative efforts gave rise to numerous classic programmes that have left an indelible mark on generations. The clearing of Firmin’s farmhouse revealed a remarkable cache of his original watercolours, pen drawings, storyboards, and even rare toys associated with his creations.

Katy Firmin, one of his six daughters, expressed the bittersweet emotions surrounding the auction. “My family have lived here in Blean since 1959, and when we opened various cupboards, we found things we simply didn’t know existed,” she shared. “It’s an emotional wrench. He never threw anything away. The six of us have all kept things that we particularly love, but it’s time to share the rest. People have such fond memories of characters like Bagpuss and now they have the chance to own a little bit of their childhood.”

Auction Highlights

The Canterbury Auction Galleries, which is hosting the sale, has called this collection the largest of its kind to ever be auctioned. Among the highlights are Firmin’s hand-painted illustrations, complete with visible corrections and adjustments, collectible models from his shows, and original illustrations from storyboards, including unpublished attempts at books. The auction promises to be a nostalgic journey, not just for collectors but for anyone who grew up with Firmin’s memorable characters.

Susanna Woodgate, a specialist valuer at The Canterbury Auction Galleries, commented, “The Canterbury Auction Galleries is proud to be auctioning the studio collection of Peter Firmin. His work brought such pleasure to so many children and their parents over the years. It is a privilege to now offer people a chance to own original pieces of his work. Cataloguing the items has been a real nostalgia trip.”

A Gift to the Community

In addition to the auction, the Firmin family has decided to donate the original *Bagpuss* puppet and the family of *The Clangers* to Canterbury’s Beaney Museum, where they have been on loan. This generous gesture ensures that Firmin’s legacy will continue to inspire future generations.

Firmin’s enduring influence was recognised in 2014 when he received the BAFTA Lifetime Achievement Award, solidifying his status as a giant in the realm of children’s entertainment. His artistic talents extended beyond puppetry; he crafted the sets and backdrops that brought the enchanting worlds of his stories to life, while Postgate provided the narration and scriptwriting.

Why it Matters

The upcoming auction of Peter Firmin’s artworks is not just a commercial opportunity; it represents a significant cultural moment in British television history. For many, these pieces are not mere collectibles but cherished remnants of their childhood, encapsulating the innocence and imagination that defined a generation. As these beloved characters transition from private collections to public ownership, they will continue to evoke nostalgia and joy, preserving the magic of Firmin’s creativity for years to come.

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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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