Irish artist Richard Malone is set to showcase his vibrant and thought-provoking fabric sculptures in Brussels as part of Ireland’s presidency of the European Union. His installation, titled *Cuimhne agus Séadchomhartha* (Memory and Monument), challenges traditional narratives of Irish art while highlighting the often-overlooked contributions of marginalised artists. As Malone prepares to fill the EU’s sleek glass buildings with his work, he also confronts deeper questions about representation and inclusion in the art world.
A Unique Studio Setting
Before diving into the intricacies of his work, Malone light-heartedly warns, “If you hear any neighing, it’s not me!” The artist speaks from a farm in Stradbally, County Laois, where the sounds of nature intertwine with his creative process. This rural setting, bustling with lambs and dogs, embodies the environment where he constructs his remarkable five-metre sculptures.
“Lambs everywhere and about 20 dogs running around,” he chuckles, clearly relishing the chaos. This pastoral backdrop serves as an ideal workshop for Malone’s upcoming installation commissioned for the EU’s Justus Lipsius and Europa buildings, which will display his signature colourful fabric art.
Challenging Historical Narratives
Malone’s work seeks to rewrite the narrative of Irish identity, which he argues has been dominated by a singular male perspective. “A lot of artwork in Ireland was predominantly made by one type of man,” he asserts, highlighting the erasure of contributions from queer and female artists. He points to museums where historical narratives are often curated by those who overlook the intricate craftsmanship of textiles and stitchwork.
“Why aren’t certain stitch samplers or certain quilts collected? Why are certain artists not on our curriculum?” he questions, pushing for a wider appreciation of the diverse contributions to Ireland’s artistic heritage. Malone’s installation aims not just to beautify the EU headquarters but to provoke essential conversations about who gets included in the story of art.
From Fashion to Fine Art
A self-taught artist, Malone’s journey from the world of fashion to the realm of fine art has been anything but conventional. Growing up in Wexford, he was influenced by his decorator father, who instilled in him a keen sensitivity to colour and practical skills. By the age of seven, he was behind the wheel of a car, and his teenage years were spent painting on building sites—experiences that shaped his artistic vision.
After studying sculpture in Wales, Malone entered the fashion scene, creating bespoke pieces for high-profile clients, including the Icelandic singer Björk. “We’re on a similar wavelength, so it’s all been very natural,” he reflects, sharing his fond memories of designing for her. However, he soon grew disillusioned with the fashion industry’s prioritisation of profit over ethics.
His transition to art was met with skepticism, as he struggled to find his place. Yet, a pivotal moment arrived in 2017 when he designed a jumpsuit for a major exhibition at MoMA, which helped establish his name in the art world. In 2023, he was called upon by the Royal Academy of Arts to create a central piece for their summer exhibition, showcasing his ability to meld craftsmanship with contemporary art.
A Personal Legacy
Malone’s artistic journey is deeply interwoven with his family legacy. His father, James, was a constant presence in his exhibitions, even in his final days. Together, they tackled practical challenges, from laying carpet to designing exhibition vitrines. “He helped out on many of my shows, thinking about practical things such as rusting,” Malone reminisces, revealing the profound impact his father had on his work.
As Malone prepares for the EU exhibition, he reflects on the unique challenges posed by the venue’s stringent security and safety protocols, particularly in light of global emergencies. This context adds another layer to his installation, which he describes as “fragile and delicate,” contrasting sharply with the imposing architecture of the EU buildings.
Why it Matters
Richard Malone’s work at the EU Council is more than just an aesthetic contribution; it is a bold statement about the inclusivity of art and the necessity of recognising diverse voices within Irish history. By addressing the historical biases in art collection and education, Malone challenges us to reconsider our understanding of what constitutes ‘art’. His installation serves as a platform for dialogue, inviting viewers to reflect on the richness of Ireland’s artistic tapestry and the myriad of stories that remain to be told. As he navigates the intersection of art and identity, Malone not only honours his heritage but also paves the way for a more inclusive future in the arts.