Richard Osman feared House of Games could vanish from airwaves after his exit, until Michael Sheen’s name entered the chat

Ben Thompson, Culture Editor
5 Min Read
⏱️ 4 min read

When Richard Osman announced he was leaving House of Games, he braced himself for the usual chorus of “don’t go”. What he got instead was his entire production team excitedly talking about Michael Sheen instead.

The 55-year-old novelist and former Pointless star stepped back from the BBC quiz show earlier this year, with the Welsh actor lined up to take over hosting duties later this month. Osman has now opened up about the handover in a candid chat with Radio Times, revealing just how close the beloved series came to being pulled altogether.

A Succession Worth Waiting For

Speaking to the magazine, Osman was characteristically candid about his reasons for leaving. Filming 110 episodes of House of Games annually, he explained, leaves him completely wiped out and unable to write for months afterwards.

“I didn’t want to leave and the show be taken off air, because there’s this amazing team and I love them all,” he said.

“So I’m chatting to the producers, saying, ‘can we find some sort of succession thing the BBC will be happy with, so I can bow out and you can all carry on?’ and I thought, ‘it’s going to be quite tough’.”

Then came the conversation that changed everything. Someone mentioned that Sheen, the stage and screen veteran known for roles in The Damned United, Frost/Nixon and the Twilight saga, was keen to step in.

Osman’s producers did not exactly mourn his departure. Rather, they simply enthused about his successor.

“Normally when you say you’re quitting, everybody says, ‘oh my god, don’t go, we’ll really miss you’, but this time they’re all like, ‘oh that’s really good, we’re really looking forward to Michael Sheen’,” Osman recalled.

The Easter Egg Moment

Fans tuning in later this month can expect a proper on-screen handover. Osman has compared the transition to a post-credits Marvel sequence, though mercifully without the lengthy wait.

The Easter Egg Moment

“It’s a bit like one of those Easter egg scenes in the superhero movies, only you don’t have to sit through eight hours of credits to get to it,” he said.

It is a suitably cinematic flourish for a presenter with a knack for the dramatic flourish. Osman, whose brother Mat plays bass in Suede, has built a second career as a bestselling author since stepping away from co-hosting Pointless in 2022 after 13 years on the programme.

From Quizmaster to Crime Writer

His Thursday Murder Club series has become a publishing phenomenon since launching in 2020. The debut was followed by The Man Who Died Twice (2021), The Bullet That Missed (2022) and The Last Devil To Die (2023), with the most recent instalment, The Impossible Fortune, arriving last September.

The books follow a group of retirees investigating cold cases from the comfort of their retirement village, and have shifted millions of copies worldwide. A film adaptation is also in development, cementing Osman’s unlikely transition from teatime quizmaster to literary heavyweight.

There is no rest for the man, though. He is next set to front ITV game show The Golden Elevators, suggesting his broadcasting career is far from over, even if his House of Games tenure is ending.

Why it Matters

Osman’s revelation offers a rare glimpse into the delicate succession planning that keeps Britain’s favourite quiz shows on air. His fear that House of Games could be quietly axed rather than refreshed reflects a broader anxiety across the BBC’s light entertainment slate, where beloved formats live or die based on host chemistry and production appetite. Sheen’s appointment signals a deliberate shift towards star power and theatrical flair, a gamble that could either reinvigorate the format or alienate loyal viewers wedded to Osman’s gentle, bookish warmth. Either way, the handover marks the end of an era and the beginning of a high-stakes experiment in how the Corporation handles its most cherished properties when their original architects move on.

Why it Matters
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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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