Taraji P. Henson, the celebrated Oscar-nominated actress, is making waves with her highly anticipated Broadway debut in August Wilson’s *Joe Turner’s Come and Gone*. As she prepares to take the stage in New York City, Henson opens up about the challenges of navigating Hollywood, the significance of Black resilience, and the vital themes of her latest role.
A Night to Remember
On a bustling Wednesday evening in midtown Manhattan, fans of all ages gather outside the Ethel Barrymore Theatre, buzzing with excitement as they await a glimpse of Henson. With a playful nod to her fame, she quips, “I feel like I’m Cardi B on tour,” reflecting her eagerness to connect with her audience. This engagement is a hallmark of Henson’s approach; she has made it a point to greet fans after each performance, embracing the intimacy of live theatre. “It’s good to see my fans like this, up close and personal,” she shares.
Henson has built an impressive career over the past three decades, showcasing her remarkable versatility across film and television. From her portrayal of a resilient mother in *The Curious Case of Benjamin Button* to her groundbreaking role as a mathematician in *Hidden Figures*, she has earned critical acclaim, including Emmy and Golden Globe nominations. However, her roots in theatre run deep, nurtured by her education at Howard University. “I got that good Howard training,” she remarks proudly. “I was made for the stage.”
The Call to Broadway
Although it may seem that Henson has only just arrived on Broadway, the truth is that the stage has been waiting for her. A pivotal 20-minute phone call from Debbie Allen, the esteemed actor and choreographer, set the wheels in motion for her participation in the revival of *Joe Turner’s Come and Gone*. “Joe Turner found me. [My character] Bertha found me,” Henson recalls fondly, imitating Allen’s characteristic drawl. “All you had to do was say August Wilson, and I’m in.”
Set against the backdrop of 1911 Pittsburgh, *Joe Turner’s Come and Gone* is the fourth play in Wilson’s renowned Century Cycle. Henson leads a stellar cast, which includes Cedric The Entertainer and Ruben Santiago-Hudson, portraying Bertha Holly, a nurturing matriarch who creates a safe haven for her boarders. Through her character’s interactions, the play addresses themes of identity and the lingering effects of slavery, resonating deeply in today’s world.
A Timely Message
Henson highlights the relevance of *Joe Turner’s Come and Gone* in contemporary society, drawing parallels between the play’s themes and current issues of displacement and family separation. “Families are being pulled apart right now as we speak,” she asserts. “Somebody who is being detained by ICE just disappeared. Whole families are being wrecked. That’s crazy to me.”
The play also delves into the spiritual dimensions of Black culture, incorporating elements of Hoodoo and Christianity. Henson believes that audiences are now more attuned to these nuances than when the play first premiered in 1988. “That’s just who we are,” she explains, emphasising the unbreakable connection between Black people and their spirituality.
“Once you find your purpose, you’re going to want to sing about it,” Henson continues, reflecting on the transformative power of self-discovery. “It’s all connected to God, connecting yourself back to the Creator, love and laughter.”
The Burden of Worth
As Henson embraces her Broadway moment, she acknowledges the toll that Hollywood’s competitive landscape has taken on her well-being. “Having to fight and scrap for a dollar and my worth is exhausting,” she admits. In 2023, she publicly voiced her frustration over pay disparity, particularly for Black women in the industry.
Her journey has not been without its struggles. After experiencing burnout following her departure from the CBS drama *Person of Interest*, Henson turned to theatre, seeking solace in the craft she loves. “I brought Hollywood to me in Pasadena,” she reflects, crediting her stage work with helping her secure the role of Cookie in *Empire*.
In her portrayal of Bertha, Henson showcases her emotional range and undeniable charm, effortlessly commanding the stage. “I think the night you came, I dropped flour,” she laughs, recounting a kitchen mishap during a performance. “That’s what’s so beautiful about live theatre: you have to stay in it.”
A New Definition of Success
Henson’s Broadway debut has become an emotional milestone, prompting her to take stock of her career and celebrate her achievements. “This Broadway moment forced me to really sit down and pat myself on the back,” she says, her voice filled with gratitude. “It is hard out here. So when people come out of their pockets to purchase a ticket that has my name on it, I’m going to give them everything I got.”
The response from audiences has been overwhelming, with many travelling from across the country to witness her performance. This connection with her fans has redefined her sense of success, moving away from the accolades and focusing on the impact she has on others. “I’m so giving of my gift to the world,” she states. “And that’s worth more than man-made gold.”
*Joe Turner’s Come and Gone* runs at the Ethel Barrymore Theatre in New York City until 26 July, offering audiences a powerful exploration of identity, resilience, and the enduring spirit of community.
Why it Matters
Henson’s triumph on Broadway is not just a personal victory; it represents a broader narrative about Black artistry in America. In a landscape that often marginalises Black voices, her success shines a light on the importance of representation and the power of storytelling. As she embraces her purpose on stage, Henson invites audiences to reflect on their own journeys, encouraging a collective pursuit of identity, love, and the courage to stand firm in one’s worth. This moment is a testament to the strength of Black women in the arts and serves as an inspiration for generations to come.
