Taylor Swift’s ‘August’ Stripped from Trump’s TikTok Amid Ongoing Feud

Ben Thompson, Culture Editor
5 Min Read
⏱️ 4 min read

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In a remarkable twist in the ongoing saga between Taylor Swift and Donald Trump, the former president’s TikTok campaign account has had audio of Swift’s song “August” removed after just four days of its posting. The move underscores the fraught relationship between the two, marked by a series of public jabs and social media exchanges.

The Controversial TikTok Post

The TikTok account @TeamTrump, which boasts an impressive 14 million followers, shared a video featuring Donald and Melania Trump enjoying a fireworks display, accompanied by the catchy tune from Swift’s 2020 album *Folklore*. The text overlay proclaimed, “Mood because it’s August and Donald Trump is your president,” with the caption cheekily stating, “I’m sure @Taylor Swift is going to be super excited we used her song! #taylorswift #maga #august.”

However, fans were quick to notice that the audio was no longer part of the video, leading to speculation about the copyright implications. Viewers in the U.S. encountered a message stating, “The copyright owner hasn’t made this sound available in your country.” Swift’s supporters took to the comments, celebrating the removal with messages like, “TAYLOR REMOVING THE AUDIO QUEEEEEEN.”

A History of Tension

The friction between Trump and Swift is not a new phenomenon. Their rivalry intensified in 2024 when Swift publicly endorsed Kamala Harris for president, praising her steady leadership and the potential for progress under her guidance. Trump’s reaction was swift and scathing, declaring, “I HATE TAYLOR SWIFT!” and ominously warning that she would “pay a price for it in the marketplace.”

This feud has been characterised by a series of digs and playful trolling from both sides. Following the announcement of Swift’s wedding to NFL star Travis Kelce on July 4, the White House took a jab at the singer, parodying the iconic billboards that celebrated her nuptials with an AI-generated image proclaiming, “Trump is your president.”

Social Media Shenanigans

With the TikTok saga unfolding, the Trump campaign appears to have taken a page out of the trolling playbook. They previously altered Swift’s *Red* album tracklist to mock the singer further, whimsically rebranding it as “Red (Donald Trump’s Version)” and tweaking song titles to suit their narrative. While the campaign may view this interaction as a humorous exchange, Swift’s fans see it as a blatant attempt to undermine her artistry.

In a surprising moment of apparent reconciliation, Trump congratulated Swift and Kelce on their engagement later in 2025, acknowledging the NFL star’s prowess and Swift’s impressive qualities. This momentary thaw in their relationship was overshadowed by the ongoing tensions that permeate their interactions.

Continued Fallout

As celebrities increasingly find themselves embroiled in political discourse, the implications of such feuds extend beyond mere entertainment. The removal of Swift’s song from Trump’s TikTok signifies the power dynamics at play in the world of copyright, celebrity influence, and political messaging. It illustrates how artists can wield control over their art, even in unexpected contexts, and how public figures navigate their relationships with those in the cultural sphere.

Why it Matters

This incident is emblematic of a larger trend where music and political figures intersect, highlighting the cultural battleground that social media has become. As artists like Taylor Swift harness their platforms to advocate for change, the response from political entities reveals a complex interplay of influence and ownership. Swift’s ability to reclaim her work from political appropriations not only underscores her status as a leading voice in contemporary culture but also stresses the importance of artistic integrity in the face of politicisation. The ongoing saga between Swift and Trump serves as a reminder of the potent influence of music in shaping narratives and public perception in today’s politically charged climate.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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